An experimental reworking of Paper Thin , Nataly Lebouleux’s award-winning animated film, this piece uses an innovative cross-art language and style to explore the controversial issue of conversion therapy and gay exorcisms, practices still used across the world today. Combining film, animation, physicality and sound, this enigmatic piece is fluid, layered and open to interpretations.
There will be post-show discussions for audience members on Jan 25th with the production’s creative team, focusing on the devising process and themes which inspired the creation of Mina. This production is accessible to D/deaf and hard of hearing audiences through creative captioning integrated into the fabric of the piece.
The importance of this piece of experimental theatre is immeasurable